That was another genre, but I have also done some rock things, and I’ve done some theatre where I had to explore my voice in different ways, like singing or screaming. Trine Dyrholm: Yes, I started out in the Eurovision Song Contest when I was 14. ![]() I then just started to work in the studio with the songs, because that was the key to embodying her. Trine Dyrholm: I looked up concerts from the last days of Nico – that was very inspiring – and I also saw some interviews and a documentary. So that was kind of what we did, didn’t stick too much to reality. So Susanna immediately said to me, ‘You don't look like Nico, we're doing our version’. She has this deep voice, and I had to sing the songs and everything. It’s a very complex character, very complicated, and in the beginning I was afraid to imitate her. How did you and Susanna Nicchiaralli come up with this version of Nico? The result is a powerful portrait of a woman taking control of her life just as it is about to end. “She created a unique style combining personal research with provoking experimental solutions and irony, always refusing to worry about the commerciality of her production.”ĭyrholm admits that she had previously only known Nico from her time with The Velvet Underground, but came to understand her though listening to interviews and watching hours of footage of her in concert. While not commercially successful, the music Nico made “was by far one of the most interesting, uncompromising productions of the period”, claims Nicchiarelli. Warhol once said that Nico “became a fat junkie and disappeared”, but this is as untrue as it is insulting. The film places Nico at a point when she is performing small gigs around Europe in the 80s, attempting to shake off her past and come out from the shadow of the men had always been associated with, while also trying to reconnect with Ari, the suicidal son she gave up as a child. The Nico being portrayed in the film is no longer the glamorous, statuesque beauty who performed with The Velvet Underground, but a junkie still fighting to make her voice heard as an artist in her own right during the last three years of her life.ĭyrholm captures the “priestess of darkness” perfectly – the German-accented, deep-toned vocals don’t drop a note, and it’s a complex performance that reveals vulnerability, sadness and regret. It stayed in the Top 20 from 17 December 2004 until 2 November 2007, more than 136 weeks on the charts.“Vanity kills art,” says the Danish actress Trine Dyrholm, who plays former Warhol muse Christa Päffgen, aka Nico, in Italian writer-director Susanna Nicchiarelli’s gritty and unconventional low-budget pop biopic, Nico, 1988. The EP has been number one on the Danish music charts for a total of 62 weeks. The songs were sung by the leading actress for the comedy play, Trine Dylholm, and musical accompaniment by Emil de Waal's band. Nice Guy" with lyrics by Peter Lund Madsen and Anders Lund Madsen and music by Kim Larsen were released as an EP entitled Mr. In 2007, Trine Dyrholm was again nominated for both the Bodil and Robert awards for her supporting role in Simon Staho's film Daisy Diamond. The following year, Dyrholm again won both the Bodil and Robert awards for the quirky satire En Soap. In 2005, Dyrholm again received the Bodil for her leading role in the thriller Fluerne på væggen ( Flies on the Wall). In 2004, Dyrholm played the role of Kate in Kim Fupz Aakeson's drama Forbrydelser (International title: In Your Hands) for which she won both the Bodil Award and the Robert Award. In 1998, Dyrholm played the role of the hotel maid in the first Dogme 95 film, Festen ( The Celebration). Thereafter she appeared in Morten Lorentzen's films Casanova (1990) and Cecilie (1991), and then Thomas Vinterberg's De største helte ( The Greatest Heroes) in 1996. ![]() That same year, she earned glowing reviews for her role in the TV production of Hosekrammeren. Dyrholm earned national recognition with her screen debut in the 1990 teenage romance Springflod for which she received the 1991 Bodil Award for Best Actress. In 1995, she debuted in En skærsommernatsdrøm at Grønnegårds Teatret. After her Grand Prix success, Dyrholm recorded a CD of her own songs.ĭyrholm attended the Statens Teaterskole (Danish National School of Theatre) from 1991 to 1995. In 1987, at 14 years old, Dyrholm made her breakthrough as the lead singer in Trine & The Moonlighters when the group placed third in the Danish Melodi Grand Prix with the song Danse i måneskin ( Dancing in Moonlight). At the age of 10, she performed in Et juleeventyr ( A Christmas Carol) at the Odense Teater and in summer stock in Den Fynske Landsby. ![]() When Dyrholm was eight years old, she began performing with the Odense orchestra.
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